Category Archives: History

When We Wrote Letters


Courtesy of http://christianschoolstoday.com

We forget history inspires.

We forget it lends something to writing, but history also asks something of us.

History asks us to dig. It might require you to search through old papers or your memories.

I remembered a time when letters were still important, and then I recall they are still important.

We write letters in:

  • Emails
  • to Potential employers
  • Queries to agents
  • Cover letters to magazines

And, there is more.

Writers are never done with letters. They write in journals to themselves or send mail the old fashioned way to grandparents, parents and friends.

Letters are also sent to them.

Sometimes letters remind you of what you wish to forget.

In 2011, I dug through old papers in a box placed in my office. I was searching for previously published articles. I came across old letters instead. They sat in a pile. Some had yellowed with the passing of time, and others felt like they had just come through the mail.

My grandmother’s scrawled handwriting appeared on a few. Wide bubble letters showed up on others, and I recognized the handwriting.

It was writing I hadn’t seen in years. The penmanship belonged to a face I had not seen in years.

Most of the letters were cards with words of support. In one letter, she wrote:

“I knew you’d get into the Governor’s School. Congrats!!”

In another she wrote, “I’m sorry for what happened. You’re my best friend. I hope you forgive me.”

I could not tell you now what her apology was for; only that it was probably some teen girl drama long ago forgiven and forgotten. The letters continued with support of my writing, or how she missed me when I went to camp.

Most of the cards were written between the ages of 13 and 16.

The closest person I ever had to a sister was the letter writer.

As I continued to read, I began crying. I wanted to burn and bury everything related to my middle and high school years. I had despised how naive I was. I hated how easily fooled I was, but were those the real reasons I wanted to get rid of every memory?

The worst part about being best friends is that you know exactly where to cut the other person. You know how to fight, stab and shoot every bullet of hurt into your friend.

When battles turn into a war, a time comes when it no longer matters how many years the two of you were best friends.

Only later do you realize that the heartbreak you cause each other is greater and more painful than wounds an ex-boyfriend gives you.

In college, the letter writer and I both changed. I was trying to figure out who I was, and she was doing the same. We were working to become independent and to prove we could be someone.

Boyfriends, identity crisis and a new life in college opened the gates to war. We threw everything we had at the other: poisoning other friends’ minds against one another and lying about who we were. No one made the other girl look worse than her best friend.

In the years to come, I wanted to forget everything. I wanted to burn every connection to her. I suppressed every urge to write about our friendship because the pain was too deep. A crater was left in my heart.

After all the drama, I still loved my friend who wrote me letters.

When her letters resurfaced, I swallowed my pride. I sent a simple hello on Facebook. She replied and told me she had been sad not to be with me on the day my son was born.

When we met for the first time in four years on Christmas Eve, a place in my heart came to life again.

It was strange, eerie and something never before experienced.

The letter writer and I met each other as women.

Things can never be as they once were, but history must hit us on the head so we take a gamble on a new future.

By Rebecca T. Dickinson

Today’s post marks the one year anniversary of A Word or More.

Les Misérables Review

Television broadcasters and movie reviewers recently commented on the length of movies released during the holiday season.

During the time of Old Hollywood, movies like Gone with the Wind and Sound of Music featured an intermission. The audience had a short break.

Beginning in the 1980s, movies lost something. They lost minutes. They lost audiences, and audiences lost patience for a story to get to the point.

In the age of iMedia, instant gratification destroys good story lines for a lesser plot.

But, all is not lost.

Movies like Les Misérables, Anna Karenina and The Hobbit  return to the tradition of epic storytelling.

I saw Les Misérables—the long running musical that originated in the 1980s and based on Victor Hugo’s book. I attended the play in London and twice in Columbia, South Carolina. I watched the tenth anniversary VHS, and 2012′s twenty-fifth anniversary.

I learned the lines to the songs, and cried with my grandmother through every rendition. I had high expectations when my husband took me to see the film.

Fireworks shot through the height of my expectations. I cried, I laughed and held on to every song and line. Director Tom Hooper (The King’s Speech) did not stray far from the musical’s story line. The movie allowed me to see parts of the story that were difficult to picture when watching the play.

For example, I was impressed with the building of the barricade, and the tension when the students prepare for battle and then face the decision to fight without the backing of the people.

Hooper focuses in on the actor and actress’ faces to make you feel as if you are in France. The singing is softer than in the play, but the actors are not in front of a large audience. When the factory women corner Fantine (Anne Hathaway), they almost whisper sing. The way they sing the lines, you believe in their hate and gossip.

Hathaway’s performance will break your heart.

I also enjoyed Hugh Jackman and Samantha Barks, who also sang as Eponine in the twenty-fifth anniversary concert.

Eddie Redmayne‘s performance made Marius a man and believable. I have never seen a Marius with whom I was impressed, except for Michael Ball. Too often Marius is portrayed as too soft and weakened by instantly falling in love. It’s almost as if the Revolution is no longer important to him. While he questions his role in the Revolution in the lyrics, he is still—for lack of a better word—weaker.

Eddie Redmayne took the movie home. He picked up where Hathaway left off in the supporting cast. His rendition of Empty Chairs at Empty Tables makes you feel like you’ve lost your best friends in battle or another tragedy.

Why do we still read and watch epics?


Let’s Go to the Movies

Orphan Annie thought going to the movies was beyond her wildest dreams.

During the Great Depression, the time in which Annie
takes place, movies offered escapism.


I can count on one finger how many times I’ve attended the movie theatre this year due to the economy. But, I have not missed a movie education.

In fact, I have gained an extended education in writing.

TCM—Turner Classic Movies—features crime author Lee Child as its December guest programmer. He will talk with host Robert Osborne about the movies that inspired his writing.


While I have not read Child’s books, I thought it was a great idea to interview an author about the movies he believed told the best stories.

What inspires writers is great storytelling. When a movie is constructed with a well-written script, delivered by strong acting and cameras, I am inspired.

Ladies of Leisure


Courtesy of http://furglamor.com

Ladies of Leisure, one of Frank Capra and Barbara Stanwyck’s earliest movies, made my remote control stop on TCM. For what reason did I stop?  Was it Barbara Stanwyck’s character rowing in a fancy dress away from a boat party? She did not care to tie off the row boat when she got off.

She stars as a party woman who lives off men’s money in the 1920′s. Aside from my strong interest in the decade, I was enraptured by the writing and lines. In the scene when she she stays the night at Ralph Graves‘ studio because they’ve worked late, the rain runs down the window as she takes off her shirt. You see the blur of her back.

You feel the romance and edge Capra wanted audiences to see. Keep in mind, this was pre-Hollywood code days.

Later, the turn of the door knob captivates your attention. It is slow and intense. Ralph Graves comes in and Barbara’s character pretends to sleep. He puts another blanket over her.

The emotion in her face the next morning when she realizes just how much in love she is with Ralph Graves cannot be repeated by another actress. It is intense and yet real. In such an early picture, fancy words weren’t thrown in. Love often comes without the right words.

People dig inside themselves for what they should say.

Marie Prevost’s performance as Stanwyck’s roommate stole the show. She made me laugh in every scene. Jo Swerling translated the original Broadway script from a complete melodrama to a movie with some humor.

I admit I stopped watching near the end because the melodrama between Ralph Grave’s mother, in the movie, and Barbara Stanwyck drove me crazy. Once Marie was out of the movie, I lost interest. There was too much crying for no reason.

Maybe writing from two boys’ point-of-view for 6-and-a-half years has caused me to turn my head away from tears and despair. But, it has taught me appreciate a good fight scene.

Stand Up and Fight    

Robert Taylor starred as a formerly wealthy man who comes into a Maryland town that looks like the Wild West. Stage coach is trying to compete with the railroad. The stage coach manager in town hides the fact men kidnap runaway slaves to take them back below Maryland. Robert Taylor stands up to the manager, played by Wallace Beery.

The fight scene in the snow between Taylor and Beery stands out. You could see an active fight. It was not like some modern films in which the bloody fight is done within the ten seconds. No, this was a brawl.

The formula was simple. Two tough men fought in pouring snow until they were worn out.  All the other men who had chased after Taylor were dead. Horses were shot or had run off.

Two men, weary of fists, must travel twenty miles back to the town in the snow during the night. The film does not rush the walk. Why? They have been shooting, fighting, and then Taylor and Beery must fight for their lives against the weather.

Beery collapses first. You think, “Get up.” Taylor gets him up.

A few minutes later, when Taylor collapses, he can’t get up. He won’t get up. Beery collapses. The snow begins to cover their bodies.

Do they survive?

Watch the movie.

It’s what makes a simple walk inspirational.

By Rebecca T. Dickinson                                        

- http://rebeccatdickinson.wordpress.com/?s=Gene+Kelly

I Will Remember

I will remember beyond the eleventh hour of the eleventh day in the eleventh month.

I will remember.

Great Uncle Durgin’s plane was shot down by the Luftwaffe. His body, never found.

His 19 years will not waste away in the Mediterranean Sea. One day—when the time is right—my second child will be named for him.

Casper Marshall Durgin Jr. served in World War II. His name is listed in a memorial inside St. Paul’s Cathedral.

I will remember my father could not watch Forest Gump because of the war scenes. No story or song need remind him of the Vietnam War. He understood—the real life version for those who’ve read The Hunger Games—what it meant when his country drew his number; his name.

Daddy sacrificed. Words cannot reclaim the unspoken pains he knew and saw. No matter how much time goes by, he will always recall memories from a far away land.

I will not forget the veteran I interviewed for a Veteran’s Day article in 2008. He did not want to talk to me, the reporter with pen and paper. Looking back now, I can’t blame him. I wanted to write a good story and meet a deadline.

I was 23. How could I relate to the horrors that flew home with the Afghanistan veteran? He spoke of nightmares, storms, distrust in the way things were and of how many homeless veterans had been forgotten.

Never again will I take the attitude of the 23-year-old I was. I will remember behind the names on every memorial, life was taken. Some of the soldiers who returned home brought war with them.

What or who will you remember today?

World War I Memorial on the South Carolinana Library wall.

By Rebecca T. Dickinson

That was the Place

The doorway of Mizpah.

Go to a place almost forgotten.

It could be anywhere.

I take a walk in the world surrounding my book, Sons of the EdistoAt the end of a path sits a one-room, meeting house. Mizpah was a church created by Methodists in the nineteenth century.

The town around it, Buford’s Bridge, was burned by General Sherman’s troops during the American Civil War. According to legend, Mizpah was used as a stable for the Union Army’s horses.

The historic white church—surrounded by graves and trees with Spanish moss—first captured my imagination when I was ten. I went with my parents and grandparents to a family reunion at Mizpah Church. The five families are the descendents of those who originally lived in Buford’s Bridge.

I won the South Carolina Lieutenant Governor’s Award for Creative Writing in the fifth grade. I wrote an essay about Mizpah.

All I remember about that essay is the award, and how  I described the autumn air as smelling like bacon.

I confess I have no idea where I came up with that description, but Mizpah’s inspiration remained with me long after my much-loved paternal grandparents died.

 

“A white wooden sign reads Mizpah Methodist Church. The black iron gate is closed. Groves of oaks hide the church.” ~ Description from Sons of the Edisto, by R.T. Dickinson.

Sons of the Edisto is a small part in a world made up of research, interviews, true stories, news stories, politics, photography and art. That world began with Mizpah.

I was hesitant to tell any of my father’s relatives about Sons of the Edisto and related projects, such as From Red Loam—a short story collection– or  my photography collection. Six years after I began research, I hardly talk about Mizpah, Sons of the Edisto, or the work I’ve accomplished with relatives or close friends.

I talk or write about that world with other writers, authors and professionals. When I was first inspired by that little church in the middle of nowhere, I was a kid in a Little Mermaid t-shirt.

Writing for Sons of the Edisto commenced when I was 21. I knew then my book and its research would most likely take me a decade, and I am more than halfway there.

All it took to start that commitment was a place almost forgotten; a place remembered by descendents of five families once a year and a little known writer.

By Rebecca T. Dickinson

© 2006-2012 by R.T. Dickinson. All rights reserved. No part of Sons of the Edisto, From Red Loam, or material related to the manuscripts may be reproduced or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without prior written permission of R.T. Dickinson.

Six Sentence Sunday

I am happy to share.

Sharing is good, I am told. The action leads to good character.

Today, I will share the beginning of a story in my Red Loam collection. The manuscript, From Red Loam, features ten short stories connected to my novel, Sons of the Edisto. Two of the stories have been published.

For today’s Six Sentence Sunday, I invite you to read a passage from The Unclaimed. The pastor is gazing at the son he claims as his own.

You may also read posts from The Bannister Histories or visit the Sons of the Edisto page to learn more.

~*~

He was no one’s child. He was everyone’s child. Wrapped in his first blanket, the baby lay in a crib carved by the pastor. The man smiled. Eyes—the color of ashen storm clouds at dawn—stared at him.

“Can he see me?” the pastor asked his wife.

By Rebecca T. Dickinson

© 2006-2012 by R.T. Dickinson. All rights reserved. No part of this manuscript or material related to it may be reproduced or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without prior written permission of R.T. Dickinson.


What is Missing from Modern Movies?

I fall in love again.

Every time.

I want to grab an umbrella and dance outside. I wish I could tap and look as cool and casual as Gene Kelly in Singin’ in the Rain.


The movie celebrated its sixtieth anniversary this year. It showed on TCM tonight, and I remembered why I always fall in love again.

It’s the dancing, singing, acting and …

The writing.

Aside from the fact I am in love with Gene Kelly, I listened to the words delivered by the actors. I am certain writers, who’ve imagined their books as movies, and script writers think of actors who breathe life into their lines.

The lines were simple, a Hemingway touch.

Some were funny, a classic Hollywood touch.

The writing works.

I once wondered why classic Hollywood was considered the “Golden Era.” Why couldn’t films be as great today?

The classic recipe, as used in Singin’ in the Rain, begins on an empty page. The script writers knew how to write words in a way they were naturally spoken.

The scene in Debbie Reynold’s car, after Gene Kelly has jumped over vehicles in the street, proves my point. He is flirtatious, and she is not impressed. The lines are easy to deliver. You also remember them.

The movie begins with good writing.

I am inspired by old movies, books and music as a writer and author. I do not see the same penned passion in modern movies.

Something is missing.

Maybe I’m wrong, but I am certain it’s the writing.

By Rebecca T. Dickinson

Six Sentence Sunday

It is a great idea.

You know: the six sentence Sunday.

I have read great six sentence Sunday posts by favorite bloggers, such as Jennifer M. Eaton or The View Outside. Inspired, I thought I would take part this week.

I look for ways to share pieces of my writing related to Sons of the Edisto and other projects without giving everything away. Below is a piece from a story published in October 2011 by The Copperfield Review, a great online literary magazine.

(The magazine is also hosting its first historical writing contest. Visit the website, hyperlinked above, for details.)

The main character, Andrew, in the story is the son of Oliver, who I’ve written about in episodes of The Bannister Histories.

Enjoy.

From Out with the Old

He opened the creaking back door. It was ready to fall off its hinges. Cob webs created a silver-white arch on the upper half of the entry’s frame. Andrew lifted part of his lip sneering at the black and red spiders. As he made his way up the narrow wooden stairs, he recalled how he was always the last one to climb them. The girls’ shoes left dents in the steps.

By R.T. Dickinson

© 2006-2012 by R.T. Dickinson. All rights reserved. No part of this manuscript or material related to it may be reproduced or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without prior written permission of R.T. Dickinson.


Why We Need to Pay Attention to Men and Boys

JD Bannister wants attention.

Not just anyone’s attention.

He needs his father to care.

In the opinion of my character, Andrew Bannister, his son has everything. He provides JD with a big house, playroom, and expensive toys and clothes.

A main character in the manuscript, Sons of the Edisto, JD experiences another kind of desertion.

How is JD and Andrew Bannister’s Relationship Important? 

The story did not begin in 1921, when the book opens.

And, it has never ended.

Parental abandonment is more than the image of a woman or man walking out on a child. JD craves his father’s attention, and so do many children. Even if a parent is there, he or she still might not spend the amount of time his kids crave.

Neglect, walking out—or as I wrote about in my poem Legends of a Father—parental manipulation and alienation on the part of older children are some of the male issues about which I have written in nonfiction, fiction and poetry.

The Bannister family and others in Sons of the Edisto echo anguish: the need for change and relationships between fathers and children.

As a writer, I thought some men’s issues were pushed to the back.

Children come first.

Women deserve equal rights and equal pay.

What about men? Some feel trapped, isolated, and stay in a marriage for their children. Happiness is not an option. When a situation comes to light, they are condemned without understanding.

What about a man who lost his job? He knows how to work, but factories have shut down in his county. He is 45. Does he have the money to attend a community college and learn a new skill? Will someone help him? Is a company willing to risk higher insurance rates to hire such a man?

I realize many people are experiencing the same thing, but I can’t help but wonder have we forgotten the men and boys?

Don’t get me wrong. I write lighter stories, also, but here is what I propose. Send me a story, whether it is an article, short story, poem or a memory about a man who meant something to you personally or in imagination. Send it to my email: btinsleydickinson@gmail.com, and I will check it out. Over the next two weeks, I will share four of those stories as a guest blog.

Maybe more.

By Rebecca T. Dickinson

More about men, boys and the Bannisters:

Child Custody Sparks Debate, Part I

Child Custody Sparks Debate, Part II

The Family Owned

The Boy with no Mother

The Aftermath

Boys at War

Why the Perspective of a Child

© 2006-2012 by R.T. Dickinson. All rights reserved. No part of this blog post or material related to it may be reproduced or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without prior written permission of R.T. Dickinson.

Boys at War

Boys went to war.

My great-uncle was one of them. His plane was shot down over the Mediterranean Sea in World War II.

Saint Paul’s  Cathedral lists his name in the American Memorial book in London.

My great uncle’s name in the Saint Paul’s Cathedral American World War II Memorial.


Now women serve, and I thank men and women for their dedication, training, and sacrifice that is beyond our imaginations.

But, I did not think it was fun to be a girl. Not the kind of girl I was.

The girl I was got picked on. When I escaped into the adventures of my imagination, I turned into anything I wanted.

Most of the time, I was a boy somewhere else kicking ass in basketball or war.

In reality, I had two left feet, and the only good hand I had was the one with which I wrote.

A great song and storytelling in the video below reminded me of why I originally wrote my book, Sons of the Edisto.


The video shows the emotion poured into the song. The main singer stands before a Union troop to rally them.

Drums make you feel you are marching right into the center of battle.

“This is it boys. This is war.”

There is that vulnerable moment.

“Oh, Lord, I’m still not sure what I stand for.”

In the American Civil War—as shown in FUN’s video—violence exploded on boys’ faces when they killed. Trenches were dug. Cannons shot. Boys became the type of men they never imagined.

What does the face of a boy who takes life for the first time look like? Can you save him?

The song, like one of my favorite shows Hell on Wheels, captures that violence and vulnerability.

You are now reading the words of a woman, who was told by friends and family she would make the perfect mother to a family full of boys.

Right now I have one boy in life.

I have two boys on 370 plus pages.

Despite influence of the strong-minded women in my family, I envisioned a book about two boys going to war literally and in their reality.

That alone—I believe—crosses every generation.

Owen Alston and JD Bannister had to go to war with town politics, their fathers, and each other.

I began in June 2006. In the years since I decided once I finish editing Sons of the Edisto, I will start the sequel.

Alright I confess, I have already started composing some scenes in the spring and early summer for the second book.

I believe in well-written women empowerment novels and stories.

As a writer, I still enjoy writing about boys who cannot help finding mischief.

What wars or turmoil do your characters face?

What carried over from your childhood into your stories?

By Rebecca T. Dickinson

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