Tag Archives: Edisto

Friday Night Writes: Who is the Baby No One Wanted?


Photo taken October 2012 by R.T. Dickinson outside Bamberg, SC of my father and son.

He was no one’s child. He was everyone’s child. Wrapped in his first blanket, the baby lay in a crib carved by the pastor. The man smiled. Eyes – the color of ashen storm clouds at dawn – stared at him.

“Can he see me?” the pastor asked his wife.

He ran his finger over the small, soft brown hand.

“Maybe, Eth,” replied his wife. “He’s a new baby. He’ll see things close to his face in a few days.”

“I bet he’ll be a smart boy.”

“Only time will tell,” said his wife as she pulled a needle through the collar of one of his work shirts.

Pastor Eth Benedict stood from his spot next to the crib. He looked at his wife. Lily May Benedict had not wanted this child. She had not wanted to move to the town in the valley near the Little Salkehatchie River. She had not wanted many things in her life with Eth.

 

Sample from The Unclaimed in the Red Loam Stories

Photos and Words by R.T. Dickinson

© 2006-2013 by R.T. Dickinson. All rights reserved. No part of The Unclaimed, Sons of the Edisto, Red Loam stories, manuscripts or related material may be reproduced or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without prior written permission of R.T. Dickinson.



That was the Place

The doorway of Mizpah.

Go to a place almost forgotten.

It could be anywhere.

I take a walk in the world surrounding my book, Sons of the EdistoAt the end of a path sits a one-room, meeting house. Mizpah was a church created by Methodists in the nineteenth century.

The town around it, Buford’s Bridge, was burned by General Sherman’s troops during the American Civil War. According to legend, Mizpah was used as a stable for the Union Army’s horses.

The historic white church—surrounded by graves and trees with Spanish moss—first captured my imagination when I was ten. I went with my parents and grandparents to a family reunion at Mizpah Church. The five families are the descendents of those who originally lived in Buford’s Bridge.

I won the South Carolina Lieutenant Governor’s Award for Creative Writing in the fifth grade. I wrote an essay about Mizpah.

All I remember about that essay is the award, and how  I described the autumn air as smelling like bacon.

I confess I have no idea where I came up with that description, but Mizpah’s inspiration remained with me long after my much-loved paternal grandparents died.

 

“A white wooden sign reads Mizpah Methodist Church. The black iron gate is closed. Groves of oaks hide the church.” ~ Description from Sons of the Edisto, by R.T. Dickinson.

Sons of the Edisto is a small part in a world made up of research, interviews, true stories, news stories, politics, photography and art. That world began with Mizpah.

I was hesitant to tell any of my father’s relatives about Sons of the Edisto and related projects, such as From Red Loam—a short story collection– or  my photography collection. Six years after I began research, I hardly talk about Mizpah, Sons of the Edisto, or the work I’ve accomplished with relatives or close friends.

I talk or write about that world with other writers, authors and professionals. When I was first inspired by that little church in the middle of nowhere, I was a kid in a Little Mermaid t-shirt.

Writing for Sons of the Edisto commenced when I was 21. I knew then my book and its research would most likely take me a decade, and I am more than halfway there.

All it took to start that commitment was a place almost forgotten; a place remembered by descendents of five families once a year and a little known writer.

By Rebecca T. Dickinson

© 2006-2012 by R.T. Dickinson. All rights reserved. No part of Sons of the Edisto, From Red Loam, or material related to the manuscripts may be reproduced or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without prior written permission of R.T. Dickinson.

Six Sentence Sunday

I am happy to share.

Sharing is good, I am told. The action leads to good character.

Today, I will share the beginning of a story in my Red Loam collection. The manuscript, From Red Loam, features ten short stories connected to my novel, Sons of the Edisto. Two of the stories have been published.

For today’s Six Sentence Sunday, I invite you to read a passage from The Unclaimed. The pastor is gazing at the son he claims as his own.

You may also read posts from The Bannister Histories or visit the Sons of the Edisto page to learn more.

~*~

He was no one’s child. He was everyone’s child. Wrapped in his first blanket, the baby lay in a crib carved by the pastor. The man smiled. Eyes—the color of ashen storm clouds at dawn—stared at him.

“Can he see me?” the pastor asked his wife.

By Rebecca T. Dickinson

© 2006-2012 by R.T. Dickinson. All rights reserved. No part of this manuscript or material related to it may be reproduced or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without prior written permission of R.T. Dickinson.


World’s Best Dad

My Dad

By My Father’s Sister, Feb. 18, 1982

Who is clever? Who is smart?

Whose neutrons originate from the heart?

My Dad

who brightens our ordinary days

with whistling, quips, and

piano-tingling ways?

My dad

who repairs many things

from shattered glasses to broken wings?

My Dad

who remembers formulas and

equations too,

but knows what Tense wants him to do?

My Dad

whose patience wears from time to time

because he’s sick or tired,

but always remains a gentle man,

by all his friends adored!

My Dad

who dries my tears when dreams are bad?

Who understands my fears?

Who accepts my love of music,

Who never changes through the years?

My dad, that’s who –

DADDY


No one in all the galaxies grew up with a dad like mine.

As the poem above states, there is no one like Dad. Call it a cliché line other daughters use for their fathers. Daddy is not a chemist, as the poem above hints about my Grandfather Dickinson, but the thoughts and heart behind the poem are the same.

Stories are told at dinner and card games about Dad’s legendary appetite. His strength, energy, and absolute undying love are the stuff of legend. At my son’s second birthday party Saturday, Dad’s sister mentioned how sick he was as a child with asthma and missed out on a lot. Once Dad reached adulthood, he was not missing out on anything.

Dad went on canoe trips, and loved to stay by the water. He dug in the sand next to the water and let sand slip through his fingers. He created large, “drippy sand castles.” He also made the biggest sand castles by using his hands as diggers. The deepest moat surrounded dad’s regular sand castles.

After a day on the beach, Dad is not truly at the beach until a bucket of steamed oysters sits in front of him. A boy’s grin appears on his face as he looks at the silver treasure chest of appetite joy.

When I was a baby, the lights went out in the restaurant. Dad had one huge bucket in front of him. He didn’t hesitate as wait staff worked to find out when the electricity would come back on. He reached in the bucket and began opening the oysters. A man turned on his flashlight, and a crowd gathered. They cheered him on like he was the star on Man vs. Food. He finished the entire bucket. Everyone thought he needed some type of award.


Stories about Dad could go on to create a 900,000 word novel. The most important part of Dad is his heart. Dad taught love and forgiveness through his own actions. At the end of his career as an insurance adjuster, Dad became a stay-at-home parent for my brother and me.

Mom always worked hard as a teacher, and suffered when she tried to become pregnant a second time. Hands on caregiver, Dad prepared my baths, laid out my clothes despite my family’s objections, and fixed meals.

Dad gave of himself to his church and to strangers. Some called him gullible. Mom said Dad and she saw life through rose-colored glasses.

I call Dad Superman.

When I began Sons of the Edisto six years ago—inspired by his father—Dad said, “We’ll see how well you stick to this project.”

Six years later, Dad says, “When are you sending it off (to an agent)?” It is his way of saying, “I want to see it make money” and “I support you in all endeavors.”

Again, in his actions, Dad drove me to Bamberg, South Carolina for my research and photos. On one occasion, he kept my son so I could drive to the South Carolinana Library for further research. Dad provided the stories to inspire the novel. Without his knowledge and support there wouldn’t be a Sons of the Edisto.

Without his love, I wouldn’t be me.

chester maynes

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